Are Emaindi Song Lyrics - Aaradhana (1987)

are Emaindee are Emaindee
oka manasuku rekkalocchi ekkaDiko egirindee
adi Emaindee
tana manishini vedukuchu ikkaDocchi vaalindee
kalagaani kalayEdo kaLLeduTE nilichindee
adi neelo mamatanu nidduralEpindi

ningivangi nElatOTii nEstamEdO kOrindii
nEla pongi ningikOsam pooladOsilicchindi
poolu nEnu chooDalEdU poojalEvi chEyalEdu
nElapaina kALLulEvu ningi vaipu choopulEdu
kannepilla kaLLalOki ennaDaina chooSaavO
kaanaraani gunDelOki kannamEsi vacchaavO
adi dOchaavO

beeDuulOna vaana chinuku picchimolaka vEsindi
paaDalEni gontulOna paaTaa Edo palikindi
gunDe okkaTunna chaalu gontu taane paaDagaladu
maaTalanni daachukunTE paaTa neevu vRaayagalavu
raataraani vaaDi raata dEvuDEmi vRaasADO
chEtanaite maarchi chooDU veeDu maaripOtaaDu
manishautaaDu

Chitram Song (Oohala Pallakilo) Lyrics

oohala pallakilO oorEginchanaa
aaSala velluvai raagam palikinchanaa
oohala pallakilO oorEginchanaa
aaSala velluvai raagam palikinchana
akalahamsai kaburulu nimpanaa
raachilakai kila kilaa navvanaa
naa pedavula madhuvule ivvanaa sayyaTalOna

oohala pallakilO

premalo teepitinTe vayase neediraa
bratukulO chedulunna bhayame vadduraa
suDigunDam kaaduraa sumagandham prEmaraa
penuganDam kaaduraa anubandham prEmaraa
viri taanugaane vacchi ninnu chErunuraa
oohala pallakilO oorEginchanaa aaSala velluvai raagam palikinchanaa
mEghaalaku nicchene vEyanaa aakaaSaputanchule
vanchanaaaa jaabile kindake dinchanaa naa kannekoonaa

oohala pallakilO

aaSagaa pallavinche paaTe neevulE
jeevitam tODulEni mODE kaadulE
kalisunDE vELalO kalaganTu raadulE
vanavaasai podule aDiyaaSE kaadulE
chiru divve gontu inka daari choopunulE
mEghaalaku nicchene vEyanaa
aakaaSaputanchule vanchanaaaa jaabile kindake
dinchanaa naa kannekoonaa

oohala pallakilO

Anweshana (Keeravaani) Song Lyrics

sa ni sa ri sa ni
sa ni sa ma ga ma ri
pa da sa ni sa ri sa ni
sa ni sa ma ga ma ri
pa da sasa sani nini risa gaga gari mama maga ma
sa ni da pa ma ga ri sa ni

keeravani .chilakala olikiro padaveme
valapule thelupaga
viraboosina aasalu virithenelu jallaga
alarulu kurisina ruthuvula thadisina madhurasa vani
keeravani chilakala olikiro padaveme valapule thelupaga .

ga ri sa pa ma ga pa ni
sa ri ga ri ga sa .ni sa

ee pulalo andamai ee galilo gandhamai
na thotalo chaitramai ee batane nadachi ra
ne gaganalalo ne chiru tharanai ne adharalalo ne chirunavvunai
swarame layaga mugise
kalayitha kalarutha swaranutha gathiyuga gamakamu theliyagane
keeravani
chilakala kalakala padaledhu valapule thelupaga
ila ralina puvvulu vedajallina thavula
alikidi erugani pilupula aligina majula vani


ne kannula neelamai ne navvula vennelai
sampengala galinai tharadana needanai
ne pavanalalo ne chali prasanai ne jevanalalo jajula basanai
edhalo vyadhale kadile
paduchula manasula panjara sukhamula palukulu theliyakane
keeravani .
chilakala kalakala padaledhu valapule thelupaga
viraboosina aasalu virithenelu jallaga
alarulu kurisina ruthuvula thadisina madhurasa vani
keeravani chilakala olikiro padaveme valapule thelupaga

Ninnu Kori Lyrics From Gharshna(old)

ninnu kOri varanam varanam
sarE sarE kalisE nee nayanam nayanam
kurikina vaagallE
tOlakari kavitallE
talapulu kadhilEnE
chelimadi virisEnE
ravikula raghuraama anudinamu ||ninnu kori||

vuDikinchE chilakamma ninnurinchE
vOlikinchE andhallE aaladinchE
muthyaala bandhaalE neekandhinchE
achaTlu muchaTlu taalasinchE
mOjullOna chinnadhi neevE kaanu anadhi
kallalE vindhu chEsanE
neetO pundhu kOranE
puTTaallani nee tODu chErindilE ee
naaDu sarasaku ||ninnu kori||

ee veena meeTEdi neevE nanTa
naa talapu naa valapu needE nanTa
paruvaala paradaalu teesEpooTa
kalavaali karagaali neelO nanTa
palikinchaali swagatham
panDinchaali jeevitam
neeku naaku ee kshanam
kaaniraaga sangamam
nee gnypakam naa lOnE saagEnulE ee
vEla sarasaku ||ninnu kori||

Gamyam Song (enthavarakU endukoraku) Lyrics

enthavarakU endukoraku vintaparugu ani aDakku
gamanamEdi gamyam ayitE bATalOnE bratuku doruku
praSna lOnE badulu undE gurtu paTTE gunDenaDugu
prapancham nIlO undani cheppedAkA A nijam telusukOvA
telistE prati chOTa ninnu nuvvE kalusukoni palakarinchukOvA


kanapaDEvennenni keraTAlu kalagalipi samudramanTAru
aDagarE okkoka alapErU
manakilA edurAina prativAru manishanE sandranakeraTAlu
palakarE manishi anTE evarU
sarigA chUstunnadA nI madi madilO nuvvE kada unnaddi
chuTTu addalalO viDiviDi rUpAlU nuvvu kAdanTunnadi
nI UpirilO lEdA gAli veluturu nI chuppullO lEdA
mannU minnU nIru anni kalipitE nuvvE kAdA.. kAdA


manasulO nIvAina bhAvAlE bayaTakanipistAyi druSyAlE
nIDalu nijala sAkshAlE
Satruvulu nilOnE lOpAlE snEhitulu nikunna isTAlE
rutuvulu nI bhAva chitrAlE
edurAina mandahAsam nIlOni chelimikOsAm
mOsAm rOsham dwEsham nI makili madiki bhAshyam
puTakA chAvU rEnDE renDu nIkavi sontham kAvu pOnI
jIvitakAlAm nIdE nEstam rangulu yemvEstAvO kAni..

Biography of Akkineni Nageswara Rao

Akkineni Nageswara Rao (born September 20, 1924 at Venkataraghavapuram, Dist. Krishna, Andhra Pradesh), also known as ANR, is a film actor from Gudivada Andhra Pradesh. He is one of the first fully commercial Telugu Cinema heroes. His films include a diverse range of genres which include mythological, folk tale, social, adventure and drama. He acted with NTR who is one of the greatest actors of India for almost 40 years.They both called each other as brother .
Nageswara Rao was awarded the Dadasaheb Phalke Award in 1990 for lifetime contribution to Indian cinema. He is also a recipient of the Padma Bhushan and Padma Shri.
He is the first person to cause the shift of Telugu film industry to Hyderabad, Andhra Pradesh from Chennai, Tamilnadu in an attempt to bring together the mother tongue of industry and industry itself. Soon after the move to Hyderabad, Nageswara Rao founded his own production house, Annapoorna Studios located in Banjara Hill.
He is noted for his class roles in the mid 60's. His younger son Nagarjuna is also an actor in Telugu.
Even at the age of 85+, Dr Akkineni Nageswara Rao still acts. He is specifically remembered in Andhra Pradesh for his biographical roles like Dr.Chakravarthy, Devadasu, Vipranarayana, Chakradhari, Tukaram, Kalidasu, Jayadeva, Tenali Ramakrishna, Kshethrayya etc. Moreover he is popular as hero of popular fiction (Novels) which were made into films e.g. Doctor Chakravarthi, Prema Nagar, Secretary etc.
Akkineni's Premabhishekam movie is one of the biggest Industry Hit movies in Tollywood. Premabhishekam has an amazing 533 days run in Hyderabad City which is still highest run in a city for telugu movies. Premabhishekam is the only film in telugu that went for 365+ days run directly.

History of Telugu Cinema

The first sound picture in Telugu was Bhakta Prahlada (1931), which introduced Surabhi Kamalabai as the first Telugu heroine. Narasimha Rao's Seeta Kalyanam is the first Telugu sound feature made in Madras. Sitaakalyaanam (1934) was another early Telugu film produced in south-India. Harishchandra (1935) was the debut film for Kannaamba and P. Pullayya. The first film studio was constructed at Rajahmundry by Nidamarthy Brothers in 1936. The same year, the Telugu company Saraswati Talkies made a debut with its Draupadi Vastrapaharanam. Aanasooya-dhruva (1936) was the film casting only children, while Prema vijayam (1936) was the first social film in Telugu. Girhalakshmi (1937) was a big turning point in Telugu film history with a revolutionary story. Its success promoted many other social films like B.Nagi Reddy's Sumangali, Gudavalli Ramabrahman's Malapilla and Raitu Bidda and Mallipelli (1939). The first male playback song in Telugu was sung for Vandemataram (1939). Since it was a child's voice, MS RamaRao's song in Devata (1941) is considered first "male" playback. Dharmapatni (1941) was the debut film of Akkineni Nageswara Rao (ANR). S.S.Vasan's Balanagamma (1942) was a very successful folkloric film. The first female playback (credited) in Telugu was in Bhaktapotana (1942).

L.V Prasad (1908-1944) was one of the movie moguls of Madras who made his directorial debut with Grihapravesam (1946). His important films include Drohi(1948), Mana Desam (1949), Sahukaru (1950), Samsaram (1950), Pelli Chesi Choodu (1952) and Manohara (1954). In 1947, Anjali Devi made her debut in Gollabhama while NT Rama Rao (who later became the Chief Minister of Andhra Pradesh) made his film debut in Manadesam (1948). B.N.Reddi was a brilliant filmmaker who created classical films like Vande Matram (1939), Devata (1941), Swargaseema (1945), Malleswari (1951) and Bangaru Papa (1956). Lavakusa (1963) was the first full-length color production in Telugu. S.P.Balasubrahmanyam made his debut in Sri Sri Sri Maryadaramanna (1967). Sobhanbabu and Krishna appeared on the scene of Telugu cinema in 1960 and 1965 respectively. Oka Nari-vanda tupakulu (1971) was the first full length black and white cinemascope film. Alluri siita rama raju (1974) was the first full-length colour and cinemascope film. Simhaasanam (1987) was the first 70mm production in Telugu. Dasari Narayan Rao is considered as one of the luminaries among the Telugu film-makers. His Premabhisekham was a great box-office hit. Chiranjeevi is a popular star in the contemporary Telugu cinema.

About Legend N.T.Rama Rao

NTR was a actor in telugu film industry.He started his career, playing a Police Inspector in the movie Mana Desam.He was encouraged and given opportunities by Raghupathi Surya Prakash Naidu son of Raghupathi Venkaiah Though widely recognized for playing mythological characters, Nandamuri Taraka Rama Rao is considered as one of the two greatest actors in Telugu film industry the other being Akkineni Nageswara Rao. His portrayal of Lord Krishna in Maya Bazaar produced by B. Nagi Reddy, Vijaya Productions, was the turning point in his life. His portrayal of Ravana and avatars of Vishnu, especially Rama and Krishna; mesmerized an entire generation who saw the face of Dr.Rao when these gods were mentioned.

Dr. Nandamuri Taraka Rama Rao had a major contribution to Telugu film making, between 1950 and 1965. Analysts believe that the Telugu film industry produced some of the best mythological movies from India, while the Tamil and malayalam movie industry produced socially-oriented films.

An important factor that made him a great actor was his ability to deliver extremely lengthy dialogues that were original verses from the Ramayana and the Mahabharata with a fervor and command unmatched by most of his contemporaries. Generally, he played multiple roles in the same movie, which increased the number of dialogues and hence required preparation time.

Dr. Rama Rao was versatile in Dialog Delivery and Mannerisms. His ability to deliver lengthy dialogues without mistakes. In Tamil Nadu, Sivaji Ganesan who was much better known for striking a balance between various kinds of cinema namely commercial,Mythological and Social oriented movies . NTR like his contemparies namely Sivaji Ganesan and RajKumar the kannada film legend struck a balance between both kinds of cinema . He used to perform roles in mythological movies and even do commercial Janapadham (where the adventurous prince saves the damsel in distress) films like Sivaji Ganesan and RajKumar . It was not a surprise, that he established as Numero-Uno Actor of Telugu Filmdom.

Shri Nandamuri Taraka Rama Rao played the role of Lord Krishna not only in Telugu movies, but also in Tamil and Kannada movies. While the megastars—Ramachandran, Shivaji Ganesan,Prem Naseer and Rajkumar vied for the roles of other Mahabharata heroes like Karna, Arjuna and Bhima, there was no denying that he would be the only one to play Lord Krishna.

One of his greatest janapadams was "Jagadekaveeruni katha" (the story of the universal hero) where he plays the role of Pratap, the prince of Ujjain. He dreams of celestial damsels as his wives, but on revealing the dream to his father, he is banished from the kingdom. The heroic prince then does the impossible — passing the various tests put to him, winning the celestial damsels and bringing them home to his kingdom. Another one of his janapadams was "Gulebakavali katha" (the story of Gulebakavali) where he plays the role of a prince who sets out to the heavens to bring the flower named "Gulebakavali" in order to cure his poisoned father, even winning Indra's daughter in the process.

Shri Nandamuri Taraka Rama Rao stopped playing the role of the prince in films, and Instead played the roles of a poor yet heroic young man against the system in his kingdom. To the millions of the denizens in Andhra Pradesh, he became 'one of us'—one who assures the poor that he is there to rescue them from the wicked traitors in the kingdom.

The most notable movies acted by Rao in mythological characters are Maya Bazaar (Sri Krishna), Lava Kusa (Lord Rama), Sri Krishnaarjuna Yuddham (Sri Krishna), Bheeshma (Bheeshma), Bhookailasa(Raavana), Nartanasala (Arjuna also as Bruhannala), Panadava-vanavsam (Bheema), Sri Venkateswara Mahatyam (Lord Venkateswara), Maha Mantri Thimmarusu (Sri Krishna Devarayalu) and Dana Veera Sura Karna (Duryodhana, Sri Krishna, Karna)which created a record in telugu film industry,Apart from these he played a variety of roles in folklore characters like Jagadeka Veeruni Katha, Pathala Bhairavi etc. On the social front he played roles in the movies Malliswari, Kanyasulkam, Gundamma Katha, Missamma, Raktha Sambandham, Ramudu Bheemudu, Devudu Chesina Manushulu, Adavi Ramudu, Vetagadu, Gajadonga, Driver Ramudu, Sardar Paparayudu, Kondaveeti Simham, Justice Chowdary, Bobbili Puli etc. He acted in over 280 movies in the lead role.

He also donned the roles of an elderly teacher (Badi Pantulu) becoming a model to his pupils, as a prince and a pauper (Raju-Peda), as down-to-earth servant dedicated to his master (Aatma Bhanduvu).

In addition to his purely artistic contributions to the Telugu movies, he built the Rama Krishna Film studios, and was very active in shifting the Telugu film industry from Madras to Hyderabad. This created the first sophisticated service industry in the agrarian state. He actively campaigned for the construction of a large number of movie theaters in rural locations and was influential in designing and implementing a financial system that funded the production and distribution of movies.

Later in his career, starting 1970's, he took to social dramas in a big way. Though aged now, he took to modern fashion. Bell-Bottom pants, Cowboy hats got added to his trade mark cigar moustache. Producers lined up a series of new-age actresses. Konda Veeti Simham, Vetagadu, Bobbili Puli, Justice Chowdhary saw the young and talented Sridevi with him. Adavi Ramudu, Yugandhar (Remake of Amitabh Bachchan's Don (1978 film),) saw Jayasudha, while Jayaprada paired with him in Adavi Ramudu.


with well wishers MGR, Sivaji Ganesan, Gemini Ganesan, Director Sridhar in a meeting in chennaiNTR's mind was always craving for better roles and he kept satisfying his fans with regal performances in Sardar Paparayudu, Srimad Virata parvam.

When his son Nandamuri Balakrishna came of age, he took to direction delivering a classic Saleem Anarkali. He did pursue direction, however owing to lack of time or so, he could not direct as many movies, as he wanted to.